The Drift could quite possibly open the world of jazz to a new generation of listeners and break open a can of worms in terms of the future and destiny of the music that many listeners today still associate with their parents or grandparents and stiffs in suits. Their debut 12", Streets/Nazomi, and their subsequent full-length, Nuomena, opened many sets of ears to a sound that was both laden with old-school sensibilities and the medium for a new sound that was, and still remains, completely their own. Their other, vinyl-only songs were just released in a collection entitled Ceiling Sky. This catalog, along with their release for the Travels in Constants series, which I have sadly not heard, has been enough to, in my mind at least, establish them as a unique voice in music that should be heeded.
Their latest effort, Memory Drawings, furthers their musical odyssey, helping to solidify their place in music and at the same time keep both curious first-time listeners and devoted fans guessing. With the eight songs on this album, the band's sound matures and develops into a profound aural world that pushes the boundaries of both their own sound and that of their peers in various jazz and experimental groups making waves right now. I have to say that this album is probably their best work yet, and surpasses both their initial 12" and full-length by a substantial margin. Dense, contemplative horn tones meet evocative guitar melodies that thrive in a musical world grounded by one of the most tasteful rhythm sections out now. Over all Memory Drawings expands The Drift's world to a perspective that is more focused yet beautifully ambiguous. Definitely something to check out whether a first-time listener or faithful lender-of-ear.
9.8/10 more information and ordering at www.temporaryresidence.com
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